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GForce ImpOSCar2 V2.0.2 Incl Keygen-AiR (WiN And OSX) 27: A Review
If you are looking for a software synthesizer that can emulate the rare and classic OSCar synthesizer with some added bells and whistles, you might want to check out GForce ImpOSCar2 V2.0.2 Incl Keygen-AiR (WiN And OSX) 27. This is the latest version of the award-winning ImpOSCar software synthesizer that has been updated with new features and enhancements to make it more powerful, expressive, and versatile than ever before.
GForce ImpOSCar2 V2.0.2 Incl Keygen-AiR (WiN And OSX) 27
In this article, we will review GForce ImpOSCar2 V2.0.2 Incl Keygen-AiR (WiN And OSX) 27 and see what it has to offer. We will cover the following topics:
What is GForce ImpOSCar2?
How to install and activate GForce ImpOSCar2 V2.0.2 Incl Keygen-AiR (WiN And OSX) 27?
How to use GForce ImpOSCar2 V2.0.2 Incl Keygen-AiR (WiN And OSX) 27?
What are the pros and cons of GForce ImpOSCar2 V2.0.2 Incl Keygen-AiR (WiN And OSX) 27?
Conclusion and FAQs
What is GForce ImpOSCar2?
GForce ImpOSCar2 is a software synthesizer that is based on the OSCar synthesizer, a monophonic/duophonic analog synthesizer that was produced by Oxford Synthesiser Company in the early 1980s. The OSCar was known for its distinctive sound, which combined subtractive synthesis, additive synthesis, and cross-modulation, as well as its unique filter design, which allowed for both low-pass and high-pass filtering with variable slope.
The original ImpOSCar was released in 2004 as a component emulation of the OSCar synthesizer, with some additional features such as polyphony, unison mode, arpeggiator, effects, MIDI learn, and more. It received critical acclaim from users and reviewers alike, who praised its faithful recreation of the OSCar sound, as well as its flexibility and ease of use.
ImpOSCar2 is the successor to the original ImpOSCar, which was released in 2011 after more than six years of development. It retains all the features of the original version, but adds many new ones that make it even more powerful and expressive. Some of these new features include:
A new patch browser with categories, tags, ratings, favorites, and search functions.
A new patch management system that allows for easy backup, restore, import, export, and sharing of patches.
A new resizable user interface that can be customized with different skins and colors.
A new filter section that adds a band-pass filter, a notch filter, and a formant filter, as well as a filter drive knob and a filter FM switch.
A new ring modulator that can modulate the oscillator 1, oscillator 2, or both.
A new wave matrix that allows for up to 16 user-defined waveforms per oscillator, which can be morphed and modulated in various ways.
A new unison detune mode that can create rich and thick sounds with up to eight voices per note.
A new chord memory function that can store and recall up to 12 chords per patch.
A new programmable arpeggiator that can create complex and rhythmic patterns with up to 32 steps, swing, gate, octave, and chord modes.
A new effects section that adds a chorus, a phaser, a delay, and a reverb, as well as an effects routing matrix and an effects bypass switch.
A new performance section that adds a pitch bend wheel, a modulation wheel, an aftertouch slider, and two assignable XY pads.
A new MIDI learn function that allows for easy mapping of any parameter to any MIDI controller.
With these new features and enhancements, ImpOSCar2 is more than just an emulation of the OSCar synthesizer. It is a versatile and powerful software synthesizer that can create a wide range of sounds, from classic analog tones to modern digital timbres.
How to install and activate GForce ImpOSCar2 V2.0.2 Incl Keygen-AiR (WiN And OSX) 27?
If you want to try out GForce ImpOSCar2 V2.0.2 Incl Keygen-AiR (WiN And OSX) 27, you will need to download it from a reliable source and follow the installation and activation steps. Here are the system requirements and compatibility information for ImpOSCar2:
Operating SystemMinimum Requirements
WindowsWindows XP SP3 or higher (32-bit or 64-bit), Pentium IV 1.5 GHz or higher, 512 MB RAM or higher, VST 2.4 or higher compatible host application
Mac OS XMac OS X 10.6.8 or higher (32-bit or 64-bit), Intel Core Duo 1.66 GHz or higher, 512 MB RAM or higher, VST 2.4 or higher or Audio Unit compatible host application
ImpOSCar2 is compatible with most DAWs and host applications that support VST or AU plugins, such as Ableton Live, Cubase, Logic Pro, FL Studio, Reaper, Pro Tools, and more. It can also run as a standalone application using ASIO (Windows) or Core Audio (Mac OS X) drivers.
To install and activate GForce ImpOSCar2 V2.0.2 Incl Keygen-AiR (WiN And OSX) 27, you will need to follow these steps:
Download the ImpOSCar2 installer from the source you have chosen. Make sure you download the correct version for your operating system (Windows or Mac OS X).
Extract the ZIP file and run the installer. Follow the instructions on the screen to install ImpOSCar2 on your computer.
Launch ImpOSCar2 as a plugin or as a standalone application. You will see a registration window asking for your name and serial number.
Open the Keygen-AiR folder and run the keygen.exe file (Windows) or the keygen.app file (Mac OS X). You will see a keygen window with some buttons and fields.
Enter your name in the Name field of the keygen window. Then click on the Generate button to generate a serial number for ImpOSCar2.
Copy the serial number from the keygen window and paste it in the Serial Number field of the registration window. Then click on the Register button to activate ImpOSCar2.
You will see a confirmation message saying that ImpOSCar2 has been successfully registered. Click on the OK button to close the registration window.
You can now use ImpOSCar2 without any limitations. Enjoy!
How to use GForce ImpOSCar2 V2.0.2 Incl Keygen-AiR (WiN And OSX) 27?
Now that you have installed and activated GForce ImpOSCar2 V2.0.2 Incl Keygen-AiR (WiN And OSX) 27, you might be wondering how to use it to create some amazing sounds. In this section, we will give you a brief overview of the user interface and controls, the sound design and synthesis options, and the presets and sound banks of ImpOSCar2. The user interface and controls
The user interface of ImpOSCar2 is divided into several sections, each with its own set of knobs, sliders, buttons, switches, and displays. You can resize the user interface by dragging the bottom right corner of the window. You can also change the skin and color of the user interface by clicking on the Options button at the top right corner of the window and selecting the Skin or Color option from the drop-down menu.
The main sections of the user interface are:
The patch browser: This is where you can browse, load, save, edit, and manage your patches. A patch is a preset sound that contains all the settings and parameters of ImpOSCar2. You can access the patch browser by clicking on the Patch button at the top left corner of the window. You can use the categories, tags, ratings, favorites, and search functions to filter and sort the patches. You can also use the arrows, page buttons, or keyboard shortcuts to navigate through the patches. You can double-click on a patch name to load it, or drag and drop it to a different location to move or copy it. You can also right-click on a patch name to access more options such as rename, delete, import, export, backup, restore, share, and more.
The oscillator section: This is where you can adjust the settings and parameters of the two oscillators that generate the sound waves. You can select the waveform for each oscillator from the wave matrix, which contains 16 user-defined waveforms per oscillator. You can edit the waveforms by clicking on the Edit button below the wave matrix and using the waveform editor window. You can also morph and modulate the waveforms using the Morph knob and the Mod knob. You can adjust the pitch, tuning, level, pan, and phase of each oscillator using the corresponding knobs and sliders. You can also enable or disable each oscillator using the On/Off switch.
The filter section: This is where you can adjust the settings and parameters of the filter that shapes the sound waves. You can select the filter type from low-pass, band-pass, high-pass, notch, or formant using the Type knob. You can adjust the cutoff frequency, resonance, slope, drive, and FM amount of the filter using the corresponding knobs. You can also enable or disable the filter using the On/Off switch.
The envelope section: This is where you can adjust the settings and parameters of the two envelopes that control the amplitude and filter modulation of the sound. You can adjust the attack, decay, sustain, and release of each envelope using the corresponding sliders. You can also adjust the amount of envelope modulation for the filter using the Env knob in the filter section. You can enable or disable each envelope using the On/Off switch.
The LFO section: This is where you can adjust the settings and parameters of the two low-frequency oscillators that modulate various aspects of the sound. You can select the waveform for each LFO from sine, triangle, sawtooth, square, or sample and hold using the Wave knob. You can adjust the rate, depth, delay, and sync of each LFO using the corresponding knobs. You can also select the modulation destination for each LFO from pitch, filter, wave, ring mod, or pan using the Dest knob. You can enable or disable each LFO using the On/Off switch.
The ring modulator section: This is where you can adjust the settings and parameters of the ring modulator that creates metallic and inharmonic sounds by multiplying the signals of the two oscillators. You can select the ring modulator source from oscillator 1, oscillator 2, or both using the Source knob. You can adjust the level and pan of the ring modulator output using the corresponding knobs. You can enable or disable the ring modulator using the On/Off switch.
The unison section: This is where you can adjust the settings and parameters of the unison mode that creates thick and rich sounds by stacking multiple voices per note. You can select the number of voices per note from 2 to 8 using the Voices knob. You can adjust the detune amount and spread of the voices using the corresponding knobs. You can enable or disable the unison mode using the On/Off switch.
The chord memory section: This is where you can store and recall up to 12 chords per patch using the chord memory function. You can create a chord by playing it on your MIDI keyboard and then pressing one of the 12 buttons below the chord memory display. You can recall a chord by pressing the same button again. You can also transpose the chord by using the Transpose knob. You can enable or disable the chord memory function using the On/Off switch.
The arpeggiator section: This is where you can create and edit complex and rhythmic patterns using the programmable arpeggiator function. You can access the arpeggiator editor by clicking on the Edit button below the arpeggiator display. You can use the arpeggiator editor window to adjust the parameters of each step of the arpeggiator, such as note, octave, gate, velocity, and swing. You can also use the global controls to adjust the overall settings of the arpeggiator, such as mode, range, tempo, sync, and latch. You can enable or disable the arpeggiator function using the On/Off switch.
The effects section: This is where you can add and adjust various effects to enhance your sound using the effects function. You can access the effects editor by clicking on the Edit button below the effects display. You can use the effects editor window to select and adjust the parameters of each effect, such as chorus, phaser, delay, and reverb. You can also use the effects routing matrix to change the order and connection of the effects. You can enable or disable the effects function using the On/Off switch.
The performance section: This is where you can control and modulate various aspects of your sound using the performance function. You can use the pitch bend wheel, the modulation wheel, the aftertouch slider, and the two assignable XY pads to manipulate your sound in real-time. You can assign any parameter to any performance control using the MIDI learn function. You can enable or disable the performance function using the On/Off switch.
These are the main sections and controls of ImpOSCar2 that you need to know to start using it. Of course, there are more details and features that you can explore and experiment with, but we will leave that to you to discover on your own.
The sound design and synthesis options
One of the most exciting aspects of ImpOSCar2 is its sound design and synthesis options. ImpOSCar2 offers a variety of ways to create and shape your sound, from classic analog subtractive synthesis to modern digital additive synthesis, from simple waveforms to complex wave matrices, from basic filters to advanced formant filters, from subtle modulation to extreme ring modulation, and more.
Here are some of the sound design and synthesis options that you can use with ImpOSCar2:
Subtractive synthesis: This is the most common type of synthesis that involves subtracting frequencies from a sound wave using a filter. ImpOSCar2 offers five types of filters that you can use to sculpt your sound: low-pass, band-pass, high-pass, notch, and formant. Each filter has its own character and sound quality that can affect your sound in different ways.
Additive synthesis: This is a type of synthesis that involves adding frequencies to a sound wave using multiple sine waves or harmonics. ImpOSCar2 offers a wave matrix that you can use to create up to 16 user-defined waveforms per oscillator, which can be composed of up to 24 harmonics each. You can edit each harmonic individually or use various tools such as draw, smooth, invert, randomize, copy, paste, and more.
Cross-modulation: This is a type of synthesis that involves modulating one sound wave with another sound wave using various methods such as frequency modulation (FM), amplitude modulation (AM), ring modulation (RM), or phase modulation (PM). ImpOSCar2 offers a ring modulator that you can use to multiply the signals of the two oscillators, creating metallic and inharmonic sounds. You can also use the filter FM switch to modulate the filter cutoff frequency with the oscillator 2 signal, creating dynamic and expressive sounds.
Morphing and modulation: This is a type of synthesis that involves changing the shape and characteristics of a sound wave over time using various sources and destinations. ImpOSCar2 offers a morph knob and a mod knob that you can use to morph and modulate the waveforms in the wave matrix, creating smooth and seamless transitions between different sounds. You can also use the two envelopes, the two LFOs, and the performance controls to modulate various parameters of ImpOSCar2, such as pitch, filter, wave, ring mod, pan, level, and more.
Unison and chord memory: This is a type of synthesis that involves stacking multiple voices or notes per key, creating thick and rich sounds. ImpOSCar2 offers a unison mode that you can use to stack up to eight voices per note, with adjustable detune and spread. You can also use the chord memory function to store and recall up to 12 chords per patch, with adjustable transpose.
Arpeggiator and effects: This is a type of synthesis that involves creating rhythmic and melodic patterns and adding various effects to enhance the sound. ImpOSCar2 offers a programmable arpeggiator that you can use to create complex and rhythmic patterns with up to 32 steps, swing, gate, octave, and chord modes. You can also use the effects section to add and adjust various effects such as chorus, phaser, delay, and reverb.
These are some of the sound design and synthesis options that you can use with ImpOSCar2 to create some amazing sounds. Of course, there are more possibilities and combinations that you can explore and experiment with, but we will leave that to you to discover on your own.
The presets and sound banks
If you are not in the mood to create your own sounds from scratch, or if you need some inspiration or guidance, you can always use the presets and sound banks that come with ImpOSCar2. ImpOSCar2 comes with over 1100 presets that cover a wide range of genres and styles, from classic analog sounds to modern digital sounds, from basses and leads to pads and effects, from vintage to futuristic. You can browse through the presets using the patch browser, or use the randomize function to generate new sounds based on the current patch.
ImpOSCar2 also comes with several sound banks that contain additional presets created by professional sound designers and artists. Some of these sound banks are:
The Classic Patches: This sound bank contains 500 presets that are based on the original OSCar factory patches, as well as some famous patches used by artists such as Jean-Michel Jarre, Ultravox, Orbital, Underworld, and more.
The Vintage Patches: This sound bank contains 200 presets that are inspired by vintage synthesizers such as Minimoog, ARP Odyssey, Prophet 5, Jupiter 8, Juno 60, DX7 , and more.
The Modern Patches: This sound bank contains 200 presets that are designed for modern music production, such as EDM, pop, hip-hop, rock, ambient, and more.
The Signature Patches: This sound bank contains 200 presets that are created by famous ImpOSCar2 users and endorsers, such as Billy Currie, Tim Smith, Paul Hartnoll, Dave Spiers, and more.
These are some of the presets and sound banks that you can use with ImpOSCar2 to get started or to expand your sonic palette. Of course, you can also create and save your own patches and sound banks using the patch management system.
What are the pros and cons of GForce ImpOSCar2 V2.0.2 Incl Keygen-AiR (WiN And OSX) 27?
As with any software synthesizer, ImpOSCar2 has its pros and cons that you should be aware of before deciding to use it. Here are some of the advantages and disadvantages of ImpOSCar2 that we have found:
The advantages of ImpOSCar2
It is a faithful emulation of the rare and classic OSCar synthesizer, with some added features and enhancements that make it more powerful and versatile.
It has a rich and distinctive sound that can create a wide range of tones, from warm and fat to bright and crisp, from analog to digital, from simple to complex.
It has a user-friendly and customizable user interface that is easy to navigate and use.
It has a comprehensive patch browser and management system that allows for easy access, organization, backup, restore, import, export, and sharing of patches.
It has a variety of sound design and synthesis options that allow for creative and expressive sound shaping and modulation.
It has a large and diverse collection of presets and sound banks that cover various genres and styles, as well as some famous patches used by legendary artists.
It has a low CPU usage and memory footprint that does not affect the performance of your computer or host application.
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